Comparisonof The Marble Statue of a wounded Warrior and Column Statue of a King
Artrepresents a series of human undertakings usually expressed throughgraphic, acoustic or performing artifacts. Visual arts are the oldestforms of art and include the construction of images and objects torepresent different feelings and expressions of artists. The MarbleStatue of a wounded Warrior (25.116) (GRA Gallery 153) and ColumnStatue of a King (20.157) (MED Gallery 304) are good examples ofvisual arts in the sculpture category. The two statues representdifferent realities of various timelines in history expressions andcommunicating different emotions to the audience, they target. Thispaper seeks to establish the specific art components of Marble Statueof a wounded Warrior and Column Statue of a King arts. The discussionwill involve examining the message they portray, elements of art,medium and the nature of the work in each of the arts.
Impressiondeveloped about similarities and differences between the works
TheMarble Statue of a wounded Warrior represents a dying, injuredfalling backwards as depicted by the wound in the right armpit. Thesculpture represents Roman artworks from the Mid-Imperial, Antonineperiod estimated to be ca. A.D 138-181.1 The sculpture demonstrates the determination of the Greek warriorson Trojan soil and their readiness to die in battle. The sculpture ismolded with apparent technical capability, but has a structuralimprecision. In the Column Statue of a King sculpture, the artistmessage is calm, and a representation of royal and saintly send-off.The sculpture borrows from the French culture in the A.D 1150-60,demonstrating the French style that subsequently transformed into thegothic culture.2 Despite differences in timelines of the art creations, there is asimilarity concerning how the artists have expressed their feelingsusing different personas, which are a warrior and a royal king. Bothare sculptures represent emotions differently using the context ofthe individual status and place. The Marble Statue of a woundedWarrior expresses sentiments about war and bravery while the ColumnStatue of a King sculpture represented death and sadness but depictedwith royal and holiness persona of the individual.
Impressionsthe artist wanted the viewer to get from the object
Theartists of the Column Statue of a King sculpture message to theaudience was to inform that the dead victim was a member of theruling class and was considered holy. He has combined death and faithto demonstrate that the victim was closer to God and was a leader inthe society. In the Marble Statue of a wounded Warrior, the artisthas created a scene demonstrating bravery, determination and the willto fight and die in battle. The statue is startlingly huge andimposing to reveal a definitive Greek warrior. The upstretched rightarm of the warrior suggests that the warrior once wielded a weaponwhile the undulating muscles in his back communicates the power thestrength of the warrior. On the other hand, the posture of thewarrior suggests that he is about to throw a spear he stands onuneven landscape with his right leg pushed behind and sticking outroughly.
Formalelements in the art
Theasymmetrical curves on different surfaces of the carvings illustratea state of uneasiness, particularly in the decapitated hands. Thesense of movement has been achieved in the Marble Statue of a woundedWarrior sculpture by learning it diagonally backwards to depict afall while straight lines have been used in the Column Statue of aKing to show stability calmness.
Theartists have utilized lines in both sculptures to depict community,movement and flow. Lines have also been used to create differentshapes on the bodies of the sculptures. In the Column Statue of aKing, vertical lines have been used to demonstrate height and shapesof different parts of the sculpture such as the rectangular stand ofthe sculpture. In the Marble Statue of a wounded Warrior sculpture,diagonal lines and inclination have been used to bring the aspect offall and movement.
TheMarble Statue of a wounded Warrior and the Column Statue of a Kinghave retained a natural grey color to sustain uniformity andconsistency in appearance.
Theshape and form of the two carvings define the size of the items. Theforms of the arts through the carvings represent the shape distinctlydefined by contours, depth carvings to form lines. Both artists haveused a mix of depth, width, and height on the sculptures to develop athree-dimensional form visible from any side. Asymmetrical shapes onthe carvings to demonstrate irregularity and unique contours andshape in the objects.
TheColumn Statue of a King takes the form of a pillar through athree-dimensional aspect to reflect a feeling of depth to exploit thepositive area. Both sculptures also use three-dimensional space toprovide a perfect illusion of the space they occupy.
Thesculptures have the aspect of texture, which has been attained usingboth rough and smooth texture to demonstrate different surfaces onthe sculptures distinguishing them from the rest.
Thenature of the work
Bothartworks are representational works describing a particular cultureand a distinct timeline in history. The Marble Statue of a woundedWarrior represents war and the expression of determination andbravely. On the other hand, the Column Statue of a King symbolizesstatus in the society particular the royal members and sainthood.Both artists have brought out the aspects of representation and,abstract and idealism using events and activities the sculpturesrepresent.
Howunity, balance, variety, proportion and rhythm has been applied
Bothartists have used lines, depth and curves to bring out differentmeanings and balance to the sculptures. The Column Statue of a Kinghas utilized stillness using straight lines and depths to demonstratestillness and calmness while the Marble Statue of a wounded Warriorused curves, lines and sense of motion to explain the activity.Emphasis has been achieved in the Marble Statue of a wounded Warriorsculpture using the base and the background to demonstrate injury,pain and determination to fight on. The curved and positioning of thesculpture diagonally clarify the fall of the solder. Variety andcontrast have been achieved differently in the two sculptures theMarble Statue of a wounded Warrior utilizes texture, patterns andcurves to demonstrate movement. The Column Statue of a King applieslines such as circles to prove sainthood by placing the round objectat the king`s head while at the same time showing royal stature byplacing a crown on the sculpture head.
Informationthe materials provide about the culture that produced it
Theplacement of a wound curve on the right armpit demonstrate a dyingwarrior while the nature of armor and clothing placed on thesculpture translates to the time and era the soldier lived in whichis in the Mid-Imperial time. The expressive style of the sculptureand the careful creation of physical appearance embody composure,strength, and erectness. Moreover, the sculpture brings theclassicism ideal and shows that the culture reveled strength as ameasure of success in war. The Column Statue of a King (20.157)represented the Abbey culture that belonged to the middle ages laterknown as the Gothic style. In fact, the standing figure and thetubular column show the Gothic style of the sculpture. The rhythm ofthe sculpture as carved from the same block as a column shows relatesthe elegance of a king.
TheColumn Statue of a King represents calmness, stillness, and deathattributed from the way lines, depth and shapes have been used todemonstrate the position of the sculpture, the status of the victimand the culture that the artist represented. The Marble Statue of awounded Warrior has also used lines and curved to create movement andfeeling of pain. The use of space and positioning of the sculpturebring out feeling such as determination of the warrior to die inbattle. Balance, Unity, texture, and movement have been effectivelyutilized to show movement feelings in both arts. The artists haveused the aspect of shapes and lines to show the history of the artand the culture they represent.
ColumnStatue of a King.Ca. 1150–60. Metropolitan Museum of Art, New York.
MarbleStatue of a Wounded Warrior.Ca. A.D. 138–181. Metropolitan Museum of Art, New York.
11. Marble Statue of a Wounded Warrior. Ca. A.D. 138–181. Metropolitan Museum of Art, New York.
22. Column Statue of a King. Ca. 1150–60. Metropolitan Museum of Art, New York.