Dwelling in the Fuchun Mountains Painting

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Dwellingin the Fuchun Mountains Painting

Outlineof

I.Introduction

  1. Dwelling in the Fuchun Mountains, is a painting that is normally a long hand scroll that was painted by a famous artist known as Huang Gongwang between the ages of 80 and 82 by Chinese reckoning.
  1. This painting typically depicts a landscape located around the Fuchun River where Huang Gongwang was traveling and residing.
  2. This research will explore the traditional Chinese artistry that was used in Dwelling in the Fuchun Mountain painting.

II.The Body

  1. The paper will discuss the basic formal elements of the painting and discuss their respective effect and meaning in the overall work. .
  2. The analysis section of the paper will comprehensively explore the main aspects of Dwelling in the Fuchun Mountains painting and investigate whether the painting is naturalistic, abstract, idealized or realistic.
  3. Major Points: Discussing about the main subject as depicted in the Dwelling in the Fuchun Mountain Painting.
  1. The paper will investigate when and how it was made by Huang Gongwang as well as finding out the inspiration behind that particular creation. In addition, it will also discuss the techniques that have been employed during the creation of Dwelling in the Fuchun Mountains.
  2. Most ancient paintings normally depict a particular tradition or try to rebel against traditions. In this regard, the paper will explore which tradition the painting belonged to and whether it conformed to that particular tradition.
  3. Dwelling in the Fuchun has symbolic characteristics that illuminate the community beliefs, traditions, power or culture.
  1. Dwelling in the Fuchun mountains is a painting that represents and even communicates to the audience. Therefore the paper will explore the significant of this painting to the Chinese people in particular.

IV.Conclusion

  1. Dwelling in the Fuchun Mountains presents the artist’s own idea as well as the general idea and beliefs to the Chinese people
  2. The painting has inspired and also made contributions to the world of art in subsequent years.

TheSources

HardieAlison, Jencks Charles, Keswick Maggie. (2003). TheChinese Garden: History, Arts and Architecture.New York. Harvard University Press. ,

Thissource offers an overview of pre-modern theories as well as themodern theories to scholars wishing to study critically the fields ofcalligraphy, sculptures, fine arts including Dwelling in the FuchunMountain painting and accessories all encompassing the evolution ofarts in traditional Chinese arts.

PowersJ. Martin, Tsiang R. Katherine. (2015). ACompanion to ChineseArt. New York. Wiley-Blackwell Publishers.

Thisbook is relevant in my research it has information on this particularpainting. The book also articulates the history as well as thegeneral direction that which traditional Chinese arts history takes.

KleinerS. Fred. (2009). Gardener’sArt through the Ages: Non-Western Perspective.Columbia. Columbia University Press.

Thissource is significant for this study as it rich and comprehensiveinsights into China’s traditional, social, political, religion andother institutions that have influenced the growth and development ofChinese arts and in particular, the Dwelling in the Fuchun painting.