MUSIC APPRECIATION OPERA

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MUSICAPPRECIATION OPERA

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Howdo both pairs connect aesthetically, stylistically and technicallybased on their period?

Thesong La_Boheme played against the backdrop of the picture The_Kiss_[1859], complements one another. The song resonates with the momentexpressed in the picture. The dialogue in the song between the manand the woman speaks of the image in an enthusiastic manner. Itreflects the intensity of the kissing moment. In the song, the womankeeps making deep sighs articulating the endearing and captivatingmoment between the partners. The rise and fall in pitch of the voicesin the song create a rich tone, which in turn expresses a romanticmoment between the man and woman in the picture.

Thetone of the male singer at the beginning of the song, Monteverdi,seems imbued with fear. He sings quietly with a voice steady. Theinstrumental accompaniment is played in a low tone to express thedelicate situation the song complements in the picture,Orpheus_in_the_ Underworld_ [1594]. The tone of the singer then risestowards the end of the song introducing an assortment of voices thatsing in different melodies and tones. The song stylistically speaksof the picture in a more informative way. There is a sign ofauthority apparent at the start. However, it does not seem efficientalong the way. Every person cares only about their affairs which showno form of control. The widespread immoral scenes indicate the lackof control, precisely revealed by the dressing of the queen. The showis chaotic.

Howhas opera and art evolved from Baroque to the height of romanticism?

Thebaroque style introduced drama in most of the musical notations. Thedramatization of opera, therefore, gained popularity in that era. Thestyle gave way to a more liberal style, romanticism, where theprospects for dramatic articulacy in music were improved both by thedevelopment and precision of the instrumental collection and by theformation of new musical practices.